Caoimhín de Bhailís’ evocative look at the oft-overlooked architectural impact of George Goldie on 19thC ecclesiastical buildings in Ireland offers a media-rich exploration that offers a further consideration of the impact of Vatican II on church architecture in Ireland and considers the place of church architecture in the nineteenth-century Irish novel. This wide-ranging project makes for a fascinating browse, but more importantly contributes to the foundation of further studies in this field.